Rehavi Peşrev for pedal harp - Derviş Mustafa transcribed by Şirin Pancaroğlu Red Leaf Pianoworks

Rehavi Peşrev for pedal harp - Derviş Mustafa transcribed by Şirin Pancaroğlu Red Leaf PianoworksNotated by Kantemir (1673 1723) this perev is credited to Dervi Mustafa, a composer we dont know much about other than he lived in the seventeenth century. The piece is a good example of melodic structures one can expect to find in the seventeenth century music, with a pronounced heroic and up beat atmosphere.

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• bowing and fingering indications are included for further ease of use

Catrin’s 2012 Celtic Concerto is an entirely successful coming together of virtuosic solo playing with some highly effective interplay between the harp and strings

Thus both the harpsichord and the forte-piano might have been intended as contemporary instruments

Indeed these features – including the learned double fugue in the last part of the Fantasie (Bars 171 ff) – captured the minds of later composers such as Ludwig van Beethoven and Ferruccio Busoni

The piece is a good example of melodic structures one can expect to find in the seventeenth century music

I’ve always believed that the foundations of technique are the same for us all

written in 1976 (at the age of 23

Whether that involves simply understanding and supporting the possibilities or bringing them alive

is intended to be a practical performing version for the harp

with B’s representing the teslim

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